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"poetry"

In The Sand*

In the sand

Our foot prints
Hearts
Shells
Kisses
Lines left by the tide
Castles
Dog paws
Cans
Bodies
Tears
Clothes
Dreams
Names
Our Life time

In the sand


*I grew up at the beach. I spent a great deal of time day and night, wandering the shores, feeling and exploring the sands of that shore and all that could be lived and love. There isn't much I haven't done on those shores. There is a lot of life lived, left and found there...

IF, by Rudyard Kipling

I was named after the book Kim, by author Rudyard Kipling. Early in my childhood, my mother introduced me to one of his poems. It has always challenged and inspired me in life.

IF

If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise:
If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools:

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: 'Hold on!'

If you can talk with crowds and keep your virtue,
' Or walk with Kings - nor lose the common touch,
if neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man, my son!

-Rudyard Kipling

Red House Talking - A Poem

During a visit to Levering Orchard, I spoke with one of the owners about his childhood memories of home, a house that now stands empty and in disrepair, yet a dominate fixture overlooking the orchard. It seemed to speak to me.

Red House Talking

heat scared twisted tin
metal remains of the shelter of generations
once marking the boundary between security
sky and seasons' harsh torments of ice and wind
once shielding mother and child and keeping
home hearth's warmth within

sentinel timbers stand charred
remnants of hard taught lessons
essential knowings of words and deed
those shadows of learning that walk with us
stand undaunted, proclaiming our way
through life's course
holding us to right of way

pane-less windows black and lost
tell of eyes peering outward
watching for familiar faces
tracing memories in winter's vapor
smudged glass and
of curtains drawn tightly muffling
the magic giggles of life long love and randy youth

now the boundaries of roof and wall
yield openly, freeing lives long bound here
as prolific gaps
grasp not even nature's breeze
releasing it to dance delightfully
resting on my mind and dream
before wafting on

leaving a whisper of
a voice talking with
a red accent

Dancing Death

The painter stands apart from the painting

The poet lays aside the parchment

The sculptor steps back from the statue

Each, in turns applies craft upon an object

Releasing it, complete and whole

They remain.


Where then, do we find the line separating the dancer from the dance?

Body, spirit and movement are at once creator and creation

The dance exists only with and only in a moment of movement

And in its incessant demand to be, the dance will – always does –

Consume the dancer leaving

Him draped across the floor

Her broken over the chair

Leaving them worn thin in each other’s arms

Only able to gasp a memory of remembering

The dance, only shadows of their life

Gone

Is the dance


As the dance continues upon

Another

one, two, three…

Waving Goodbye

A Child

Pats the water with her foot

Ripples

Spread gently, caressing the surface

Gliding outward, searching for shore

Fading to smooth


Tiny toes

Break the fluid plain

Movement

Life upon the stillness

Reaching

Longing

Hoping for a place to land


Again and again

Each gentle touch fades

Weakened waves reaching

Never touching the distant sand

Destination


SPLASH!


Surges churn turbulence of sea

Arms and legs violate the stillness

Liquid rage calls

To the depths

Unknown concentric waves

Demanding, diminishing, stopping


Stillness

Descending shimmers

Calming the spot

Closing the circle

Cessation


Now

On a distant shore

Small ripples lap the sand

Lap the sand

Home


-Once, an Adolescent that I knew took her own life. This poem is dedicated to Cathy.

Your Beauty Stops

Your beauty
Laid out before me
Stops

Your beauty
Laid out before me

Orange hues wrapped in purple haze
This sky
Brushed upon a palette
By the descending of the sun
Layers
Broadcasting the coming night
Filled with hope and promise
Your beauty is laid out for me

A beauty that seeks me
Reaches out and touches my eyes
Causing them to scan for you

A beauty that grazes my thoughts
Hunting for understanding
Beyond knowing the work of light
Reflecting through prisms
And chemicals reacting in mist
Longing to be known

Your beauty
Laid out before me ready to be known
As in an embrace lovers know
The caress of wonder
Possibilities of tomorrow
In each gentle sigh
Each kiss of moisture

Your beauty
Laid out before me stops

Longing is left alone
Desire
Calm and undisturbed
Even as your wonder
Strikes the lenses of my sight
Pounding
Nothing but a distant echo

Is heard

Tonight…

I Found Myself Humming

I found myself

Humming into the mattress

With you

It was an accidental thing

An exhale that sent a slight vibration

Through the sheets

I enjoyed the sound

The sense

Of my humming

Beside you – with you

The vibrant ripples made me giggle

And roll joyfully

Leaving all tension and dis-ease

I found myself

Humming into the mattress

Thank you

Too Full

The quill rests full
Dripping onyx truths
Upon parchment
Unable to spill
Small enough droplets
To inscribe
You

The Beach Remembers

The beach remembers

Lover's tastes and trash

And it can't forget


Too many breezes blow

In strong currents

And sand tossing tourists


Piles of humanity

Discarded playthings

And burnt butts


Cans crushed under foot

Seasoned among sea oats

And barley stained


His hands upon her

Rumpled sands swaying

And tides wetting


Every passion gets remembered

By the beach beneath us

And our trash

Dangerous Passions?

A number of weeks back, several friends sent me the same link to a wonderful video of Elizabeth Gilbert speaking on the angst of artistic genius. I'm not purporting to be a genius, but I have had my share of artistic challenges.


My first true passion was acting. I felt more alive when acting, soaking up the spot light and wrestling with the nuances of character development than I did living my real life. I achieved some modest success while making acting my hobby throughout my life including some professional time with a North Carolina Shakespeare Company, and several cable-run commercials. During college I discovered creative writing and I've had a few article published (during my time as a pastor). Sermon writing, at its best, is a highly creative venue and I relished in both the creation and presentation of sermons for 15 years.


In each of my creative adventures, I discovered the same reality – satisfaction of the urge to create and the compulsion to be a part of something new and dramatic is fleeting.


Often, upon reflection on my own creative internal disturbance, I am left with the following apparent and unsavory thought - The creative spirit, as embodied in so many artists, is its own bane. The artist can devote his/herself to the task fully and in doing so risk a rapid burn or can deny the very passion of the soul and lead a life of frustrated mediocrity. My trouble with this thought is that I don’t want it to be true. Is it possible for an artist to pursue his passion and not self destruct? Is there something in the nature of art that demands the humanity of the artist and leaves her broken?


There is more to say here, but I would rather leave it for your comments. So, dear reader, is your artistic passion dangerous?